Theory of Mimesis. Mimesis, basic theoretical principle in the creation of art. He even accepted Plato’s division of storytelling according to the different types of mimesis employed in it. He even accepted Plato’s division of storytelling according to the different types of mimesis employed in it. 14. Context of Assessment, Evaluation and Research, 2. Alternative Concepts and Practices of Assessment, 9. Aristotle describes the processes and purposes of mimesis. Shakespeare, in Hamlet’s speech to the actors, referred to the purpose of playing as being “…to hold, as ’twere, the mirror up to nature.” Thus, an artist, by skillfully selecting and presenting his material, may purposefully seek to “imitate” the action of life. Diplomatic as always, Aristotle accepted part of Plato’s theory, agreeing that art is a form of imitation. The first step in understanding Aristotle's account of mimesis is remembering that he spent many years studying at Plato's Academy. Homer [the epic poet and attributed as author or the Iliad and the Odyssey], for example, makes men better than they are; Cleophon as they are; Hegemon the Thasian, the inventor of parodies, and Nicochares, the author of the Deiliad, worse than they are …, The poet being an imitator, like a painter or any other artist, must of necessity imitate one of three objects—things as they were or are, things as they are said or thought to be, or things as they ought to be …. [T]he instinct of imitation is implanted in man from childhood, one difference between him and other animals being that he is the most imitative of living creatures, and through imitation learns his earliest lessons; and no less universal is the pleasure felt in things imitated. According to Plato, all artistic creation is a form of 350 BCE-c. Poetics. Such diversities may be found even in dancing, flute-playing, and lyre-playing. It is equally true that from about the middle of the 8th century a prohibition had been formally stated, and thenceforth it would be a standard feature of Islamic thought, even though the form in which it is expressed has varied…. Aristotle never fully articulated this philosophy, but his writing indicates that he possessed a more fundamental theory of art upon [T]o learn gives the liveliest pleasure, not only to philosophers but to men in general; whose capacity, however, of learning is more limited. Aristotle never fully articulated this philosophy, but his writing indicates that he possessed a more fundamental theory of art upon Let us know if you have suggestions to improve this article (requires login). Before Aristotle, Plato used the word in The Republic in the sense of mere copying of the appearances of things, actions and behaviours. Aristotle describes the processes and purposes of mimesis. Yet he did not agree that mimesis is bad in and of itself—quite the opposite! According to Plato, all artistic creation is a form of imitation: that which really exists (in the “world of ideas”) is a type created by God; the concrete things man perceives in his existence are shadowy representations of this ideal type. Select Response and Standardized Assessments, 7. The ancient Greek philosopher, Aristotle (384–322 BCE), regarded mimesis, or imitation, to be one of the distinctive aspects of human nature, and a lway to understand the nature of art. Corrections? He had a view that nature can change but art is everlasting, Aristotle wrote about the four (4) formal cause in nature. Aristotle follows Plato Republic Book 3 in seeing a distinction between first- and third-person modes of storytelling as important to poetics. Mimesis is not a literary device or technique, but rather a way of thinking about a work of art. So again in language, whether prose or verse unaccompanied by music. Imitation, then, is one instinct of our nature. Plato and Aristotle spoke of mimesis as the re-presentation of nature. The word is Greek and means “imitation” (though in the sense of “re-presentation” rather than of “copying”). Omissions? 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